Sex jokes title object object

07.03.2018 2 Comments

Again, I felt a little bit like I do when I read addicts' memoirs: One of the difficulties I had with the reading experience of the book is Valenti herself still has many unresolved--and clearly hostile--feelings about I do feel like she feels very acted upon throughout her life, yet, at what point does snorting Adderall become something you do, not something that was forced upon you, for example? Part II especially is simply a retelling of her sexual experiences, most of them poor, and exhaustion with what she experiences as an obsession of others with her body including what she says is literal daily street harrassment from the age of, roughly, eleven that drains her of all autonomy resulting in said bad sexual experiences.

Sex jokes title object object


Unfortunately, in seemingly letting her experiences speak for themselves, they end up feeling instead like an unrelenting litany of misery--of unhappy exeriences and unhappy choices that, in the end, left me feeling a bit exhausted and even annoyed. I agree that it feels extremely haphazard and at the same time oddly flat. Again, I felt a little bit like I do when I read addicts' memoirs: As another example, she states in this book that she was forcefully pushed out of Feministing, which is counter to other public statements she's made about leaving Feministing, which now throws all her earlier statements into question--and then makes ME question, why bother lying about it at the time? Again, one could argue that her thesis is that having been treated as merely a body upon which others act has left her, even at her age, married and with a child, still feeling utterly without any control over her body or her life. They aren't requirements for sustaining life. She's even hostile about her fans, which, again, if you feel you have zero autonomy over your body and feel violated by being on a stage and having an audience, then maybe don't do book tours? Other reviewers have been pretty articulate about the flaws of the book. I feel that, after a certain point, you don't get to agree to do things that you KNOW make you suffer and then write about how much you suffer doing them, especially if the things are "speaking engagements" and "autograph sessions. She presents her experiences without any kind of "big picture" element. Part II especially is simply a retelling of her sexual experiences, most of them poor, and exhaustion with what she experiences as an obsession of others with her body including what she says is literal daily street harrassment from the age of, roughly, eleven that drains her of all autonomy resulting in said bad sexual experiences. I had a really difficult time with this book. I feel like I had to turn myself inside out to create some kind of thesis to her book--out of guilt from not liking it as much as I wanted to--and I don't think that's a good thing. Perhaps that's something Valenti is trying to get her audience to think about. I do feel like she feels very acted upon throughout her life, yet, at what point does snorting Adderall become something you do, not something that was forced upon you, for example? Unfortunately, in seemingly letting her experiences speak for themselves, they end up feeling instead like an unrelenting litany of misery--of unha Yeesh. Is looking for a "all these terrible experiences were worth it in the end" a horrible expectation to have of someone who experienced abuse? For example, she states toward the end of the book that she suffers from PTSD, but it's unclear, despite the pages prior to that statement, what the trauma is her childbirth experience? One of the difficulties I had with the reading experience of the book is Valenti herself still has many unresolved--and clearly hostile--feelings about I can blame some of my reaction to extremely high expectations

Sex jokes title object object


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2 thoughts on “Sex jokes title object object”

  1. I agree that it feels extremely haphazard and at the same time oddly flat. She presents her experiences without any kind of "big picture" element.

  2. She's even hostile about her fans, which, again, if you feel you have zero autonomy over your body and feel violated by being on a stage and having an audience, then maybe don't do book tours?

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