In candid prose, he recalls what they said and how they acted, and most important, offers keen observations of who they really are underneath his creations. Above all, Kelly was known to be an absolute straight-shooter, which eventually, along with his alcoholism, hampered his career in indefatigably ass-kissing Tinseltown. It would have been salutary if Gillian had honored this with a like-minded absence of needless, chichi auteurial frills, and simply told his quite wonderfully researched story straight.
Click here for cast and crew information. Yet one of the most key figures in her success is rarely if ever cited—her longtime costume designer Orry-Kelly, who very well may have been the greatest ever to work in his field. The impersonation rings especially false for anyone who knows contemporary descriptions of the man by, say, his boss, Jack Warner, who recalled him as every bit the rough-and-tumble, boozehound off-screen swashbuckler that his friend and fellow studio employee, Errol Flynn, was, both of them living hard and dying the same way, at far too young an age. Read on your iOS and Android devices. Here, for the first time, Scaasi invites readers into his glittering A-list realm as he recounts his intimate experiences and interactions with larger-than-life female icons who made their mark in spheres as varied as politics, Hollywood, the music industry, and high society. Joan Crawford's fetish for cleanliness; the dazzling Barbra Streisand's famous Oscar night outfit and her obsession with perfection; Mamie Eisenhower's staunch refusal to wear a bra; the bountiful charms of Joan Sutherland, the opera legend; Mary Tyler Moore's and Sophia Loren's unique glamour; Rose Kennedy's prediction of a future woman president; Aretha Franklin's fear of flying; Scaasi's visits to the White House to his good friend and client Barbara Bush; his confrontations with Elizabeth Taylor and Marilyn Monroe; and much more! In candid prose, he recalls what they said and how they acted, and most important, offers keen observations of who they really are underneath his creations. His enduring tenure as one of the world's premier fashion designers and tastemakers has afforded him vast stores of insider knowledge and firsthand perspectives on an array of illustrious personalities who -- in their disparate arenas of high-wattage celebrity and influence -- have defined our contemporary notions of female power and glamour. It would have been salutary if Gillian had honored this with a like-minded absence of needless, chichi auteurial frills, and simply told his quite wonderfully researched story straight. Instead they spotlight the designer's surprising interactions and often poignant perceptions of Eleanor Roosevelt, Joan Rivers, Louise Nevelson, Natalie Wood, Hillary Clinton, and many others. Scaasi dresses only women he genuinely likes, so his tales are never mean-spirited. Women I Have Dressed and Undressed! The book is filled with photographs from the author's personal scrapbooks and fond recollections of some of the world's most beautiful, accomplished, and powerful women. Scaasi devotes each chapter to a specific woman or to a group of women, including "Broadway Girls," "New York Girls," and "Hollywood Girls. As important an aspect of film as it is, costuming has never been truly understood by both the movie industry and most audiences alike, and has always bizarrely been seriously undervalued, with many films not even bothering to list who dressed the cast in the credits, while in some instances the hair and makeup people are indeed recognized. Here, readers will discover: Above all, Kelly was known to be an absolute straight-shooter, which eventually, along with his alcoholism, hampered his career in indefatigably ass-kissing Tinseltown. Armstrong immediately jumped into a project devoted to him, immersing herself in research both far afield and near Sydney, which took years to finish. Although he had his share of male romantic partners, Armstrong focuses on the aforementioned Leach, who, of course, became Cary Grant. The result is a splashily diverting documentary which will be catnip to Golden Age Hollywood fans and deeply informative to the general public, but serious critical response may definitely be mixed. Skeffington, in which he took her from World War I to the s, were cited by the formidable actress herself as invaluable to those portrayals.
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