Of course, the audience wasn't superfluous by any means; it energized and continues to energize their performances. Two things have never changed: It's been a long and fascinating road to numerous exciting destinations. Nor have they lighened up their individual schedules. Drummers, harmonica players, keyboardists, backup singers, violinists, mandolinists, and more, all fitting in to Jorma and Jack's current place in the musical spectrum.
Jack, meanwhile, had taken an interest in the electric bass, at the time a controversial instrument in blues, jazz, and folk circles. Two things have never changed: Jorma even contributed the band's name, drawn from a nickname a friend had for the blues-playing Jorma. Maturity brought the desire to do things not instead of but in addition to being a touring band. Collect the entire set! He has a busy and elaborate website at jackcasady. While in San Francisco and even in hotel rooms on the road, they would play together and worked up a set of songs that they would often play at clubs in the Bay Area and while on the road, often after having played a set with the Airplane. From their days playing together as teenagers to their current acoustic and electric blues, probably no one has more consistently led American music for the last 50 years — yes! Jorma and Jack certainly could not have imagined, let alone predicted, where playing would take them. Nor have they lighened up their individual schedules. Thus was created the unique then and now sound that was The Jefferson Airplane. Jack's experience as a lead guitarist led to a style of bass playing which took the instrument far beyond its traditional role. But the teaching doesn't replace Hot Tuna's busy tour schedule; it's in addition to the tours. After two decades of acoustic and electric concerts and albums, the s brought a new focus on acoustic music to Hot Tuna. In the mid s, Jorma was asked to audition to play guitar for a new band that was forming in San Francisco. They still love to play as much as they did as kids in Washington D. Drummers, harmonica players, keyboardists, backup singers, violinists, mandolinists, and more, all fitting in to Jorma and Jack's current place in the musical spectrum. Jorma has a website, too, and achieved enormous critical acclaim and a Grammy nomination for his solo album, Blue Country Heart. Of course, the audience wasn't superfluous by any means; it energized and continues to energize their performances. This led to a record contract; in fact, they had an album recorded before they decided to name their band Hot Tuna. Thank you for your support! Hot Tuna Tunes is added to all the time, so it's almost as if Hot Tuna were releasing numerous live concert albums every year. For the last few years, Jorma and Jack have been joined in most of their Hot Tuna performances by the mandolin virtuoso Barry Mitterhoff. Here, on a sprawling and rustic yet modern campus, musicians and would-be musicians come for intensive and enjoyable workshops taught by Jorma, Jack, and other extraordinary players, learning things that range from different styles of playing to songwriting and even storytelling the musician in performance has to say something while changing that broken string! A veteran of bluegrass, Celtic, folk, and rock-influenced bands including "Tony Trischka and Skyline" and "Bottle Hill," Barry has found a new voice in working with Hot Tuna, and the fit has been good — watching them play, it's as if he's been there from the beginning and they're all having the time of their lives. Both had become interested in teaching, passing along what they had learned and what they had uniquely developed to a new generation of players. And along the way there was no list of outstanding guitarists that didn't include Jorma, nor was there anyone who seriously thought there is a better bass player than Jack.
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